Transcripted by Rapha=EBl Chaize, student in Nice, France NOTES : 1- the "| |" symbolises the measures 2- the notes put between "" are chords 3- when a "/" is placed in a chord, it means that the bass differs from the fundamental note of the chord, for instance, ^Fmadd9/Ab the bass plays an ^Ab 4- |Cm6+7^{No Bass} // Cm6+7/D| means that the chord ^Cm6+7/D is played on the last time of the measure, if there are 2 chords, these 2 chords are played on the two last times of the measure ^{sorry but transcriptionis limited with the mail, anyway listen to the record, it's rathersimple but hard to transcribe} 5- the notes put between "" are single notes ^{played by the bass} 6- "*" symbolises a bend, the tension of this bend is put between a "" for instance : *¹ bend one tone higher 7- a tabbed note put in a "" results from the release of a bend, the note is not picked 8- a "." put upon a tabbed note symbolises a staccato 9- "~~~~" are vibratos I have tried to be the more precise I could with the tools of the mail. Therefore, I ask you to use this transcription while listening to the record for a better understanding. ~~~~~~~~~~~~~~~~~~~~~~~ ANYWAY ~~~~~~~~~~~~~~~~~~~~~~~ Genesis ~~~~~~~~~~~~~~~~~~~~~~~ from The Lamb Lies Down On Broadway ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ INTRO : |Gmadd2|Cm6+7|C6+7|Bbmaj7|Gmadd2+6|Ebsus4|Ddim6| ^Ddim6All the pumping's nearly over for my ^Gmadd2sweet heart, ^Cm6+7This is the one for ^C6+7me, ^Bbmaj7Time to meet the chef, ^Gmadd2+6O boy! ^Ebsus4running man is out of ^Ddim6death. Feel cold and old, it's getting hard to ^Fsus2catch my breath. It's ^Cadd4+7back to ash, ^Fsus2'now, you've had your flash boy' ^Cadd4+7The rocks, in time, compress Your ^Bbm6blood to oil, Your ^Fmadd9/Abflesh to coal, En^Bbm6rich the soil, Not ^Fmadd9everybody's goal. ^Gmadd2Anyway, they ^Cm6+7say she comes on a ^C6+7pale horse, But I'm ^Bbmaj7sure I hear a train. ^Gmadd2+6O boy! I ^Ebsus4don't even feel no ^Ddim6pain - I guess I must be driving my^Fsus2self insane. ^Cadd4+7Damn it all! does ^Fsus2earth plug a hole in heaven, ^Cadd4+7Or heaven plug a hole in ^Bbm6earth - 'How wonderful to be ^Fmadd9/Abso profound, When ^Bbm6everything you are is dying ^Fmadd9underground.' INTERLUDE ^Time/2: |Gmadd2|Cm6+7^{No Bass} // Cm6+7/D| |Gmadd2|Cm6+7JD // Cm6+7 // Cm6+7/A| |Gmadd2|Cm6+7^{with [D C# A C}]| ^{|Gmadd2|Cm6+7|} with ^{D C# A C Bb G A G D G F C Eb D C Eb E} |Dmin6| DOUBLE GUITAR SOLO : ^Gmadd2 . ^Cm6+7 . |-------------------------------------------------------------14---------| |--13*¹---11-13-¹³*¹*¹³-11--11----15*^=BD--------15*^=BD-------| |---------------------------------14-----------------------------12------| |------------------------------------------------------------------------| |------------------------------------------------------------------------| |------------------------------------------------------------------------| | . . |-------------------------------------------------------------10---------| |-------------------------------------------------------11*¹-----------| |--14*^=BD---12-14-¹⁴*^=BD*¹⁴-12--12----12---------------------10--| |---------------------------------15-------------------------------------| |------------------------------------------------------------------------| |------------------------------------------------------------------------| ^C6+7 . ^Bbmaj7 . . |----------------13------------16-15-16---18~~---16-15-16-----------| |--15*¹--15---------------------------------------------15~~~~----| |-------------------------------------------------------------------| |-------------------------------------------------------------------| |-------------------------------------------------------------------| |-------------------------------------------------------------------| | . . . |-------------------------------------------------------------------| |--11*¹--11--13--------------15-13-15---16~~---15-13-15-----------| |---------------------------------------------------------12~~~~----| |-------------------------------------------------------------------| |-------------------------------------------------------------------| |-------------------------------------------------------------------| ^{Gmadd2+6 Ebsus4 Dmin6} |------------------------------------------------------17~~~~~------| |--13*¹--13--11---10-11--11--10~~~~-------------------------------| |------------------------12-----------------------------------------| |-------------------------------------------------------------------| |-------------------------------------------------------------------| |-------------------------------------------------------------------| | |----------------------------------------------------------------------| |-------------------------------------------------------15~~~~~--------| |--14*^=BD--14--12---10-12--------------------------------------------| |------------------------13-10--12~~~~---------------------------------| |----------------------------------------------------------------------| |----------------------------------------------------------------------| INTRO : |Gmadd2|Cm6+7|C6+7|Bbmaj7|Gmadd2+6|Ebsus4|Ddim6| ^Ddim6I feel the pull on the rope, let me off at the ^Gmadd2rainbow. I ^Cm6+7could have been exploding in ^C6+7space Different ^Bbmaj7orbits for my bones ^Gmadd2+6Not me, just ^Ebsus4quietly buried in ^Ddim6stones, Keep the deadline open with my ^Fsus2maker! ^Cadd4+7JGSee me stretch^Cadd4+7; for ^Fsus2God's elastic acre ^Cadd4+7JGThe doorbell ^Cadd4+7rings and it's : "Good ^Bbm6morning Rael So ^Fmadd9/Absorry you had to wait. It won't be ^Bbm6long, yeh! She's ^Fmadd9very rarely late."